The silk for her wedding dress had to be imported from China, as Italian silk was considered inappropriate so soon after the end of World War II, for an occasion that Time magazine called the Allies’ first major post-war celebration. As Parvin put it, “The Queen can never say, ‘I’m not comfortable, I can’t walk anymore.” There were also times when affairs of state played a part in the logistics of tailoring.
A royal privilege, yes, but very different from having a servant put toothpaste on your toothbrush. Stewart Parvin, one of the royal couturiers, once confirmed to the Telegraph that when a new pair arrived, a Buckingham Palace employee would be tasked with pacing the long hallways in the shoes and a pair of cotton ankle socks to break them. The Queen’s “work boots,” as she called them, were Anello & Davide’s patinated low-heeled loafers, a style she wore for half a century.
Practical matters formed the basis of the royal wardrobe. Her clothes were never the main event, but it was a soothing mood music that set a certain tone. Long before resilience became a buzzword during the pandemic, she modeled what resilience looked like with her trusty rainbow-colored wardrobe. Rather than taking traditional respect for the monarchy for granted, she won the public’s respect through hard work. The Queen’s most famous quote about her image is her claim that she “had to be seen to be believed.” They say your brand is defined by what a person sees when they close their eyes and hear your name, and the image that comes to the Queen’s mind – cheerful in bright colors, her royal diamonds and pearls offset by the eminently practical handbag and shoes – summarizes what she stood for. The state opening of parliament in November 1998. Read:Red Arrows engulfed by bullying and assault row | News She was a steady, unshakable landmark that helped us set a course, like where a ballerina would aim to keep her balance in a pirouette. Most of us never got an invitation to a garden party, but the way she dressed made us famous. (When it rained, her umbrella was transparent.) She made herself part of ordinary people’s landscapes, as familiar as a grandparent’s picture on the mantelpiece. The small but sturdy figure the color, solid and bright like a Cluedo piece in Mrs Peacock purple or Colonel mustard yellow. You didn’t even have to see her face to pick her out right away. At state occasions and gala openings, walking to church or in her box in Ascot, the Queen was as recognizable to us as our own relatives. Her clothes weren’t chosen for how flattering they looked in her mirror, but for how well they spoke to the rest of us. There was a generosity and warmth in a wardrobe that helped all of us feel like we knew her. But that doesn’t do justice to the spirit she dressed in. With her ceremonial colors and sharply tailored lines, Queen has been described as the ultimate power dresser. Read:Plan to pay Liz Truss’s chief of staff through firm is dropped after criticism | Liz Truss
This remarkable steadfastness, which the couturier Sir Norman Hartnell called ‘an unsensational elegance’, has defined the Queen’s wardrobe. It falls at the same point at the knee, has the same clean silhouette. The coat is bolder blue, the hat more angular, the gloves and bag are now black instead of white, but these are just details. Another photo, taken 42 years later during the February 2019 centenary celebrations for GCHQ, shows her in a nearly identical outfit. The coat’s wide lapels reveal a glimpse of the pearls at her throat, and her white gloves match her handbag. Photo: Max Mumby/Indigo/Getty ImagesĪ photo of the Queen from May 1977, taken during her Silver Jubilee tour, shows her in a duck-egg blue jacket with self-covering buttons, with a dress and jacket to match. ‘Every day she doubled down on one color and wore it from head to toe’… Royal Ascot in 2018.
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